As I am sure you are likely aware of.
I actually have a number of other tats, including very large detailed pieces, but I will tell you that is the most painfull one yet. My artist is useing a 21 most of the time, and it gets very brutal on some sessions (he has a very heavy hand). We are only 40 hours in (only...lol) and have 40-60 more easily just on the back thats been started. The artist will still go over all the work later and add scales and other finishing detail, so even the stuff fully colored in is actually just roughed in right now. Who knows could have another 100 hours, its hard to say. I also plan on adding my ribs,shoulders, chest, and upper arms into this piece, so at that point, its many many more hours.
I am getting a great deal on the price, but it is still very expensive. I took in the best photos I could find, mostly stuff from Reptiles magazine. I would have liked to use some other species or shots, but its hard to find a great detail shot of many species, let alone one that lends itself well to tattooing. Thus many were pulled from shots out of reptiles (soo look closely you might recognize them). Sadly the artist has no experience with herps, soo I had to walk him through the process more then I would have liked, but he is one of if not the best tat artist I have ever seen. I gave him about 30 pics, he pulled the ones HE wanted to use, and I let him roll with it. Obviously the background is not species specific but more ink specific (i.e. what tends to look good on backpieces). Allthough I wanted the animals to be as realistic as possible, I was more flexible with the artist quality to the background, and I think it works well together.
Sorry so long winded, enjoy.
Mickey