Ronda,
I agree with you completely about the manual; I guess they assume that most people are not going to read it anyway. Nor have I figured out all of the focusing options yet myself. There have been a few (admittedly, very few) occasions when I simply could not focus on a subject at the range I wanted. The "night-framing" option has thus far worked exceptionally well for me in low-light situations -- where other digitals that I have used wouldn't even begin to focus.
As far as the post below concerning a ringlight, I have searched Sony's catalogs to no avail for such an option. I have informed them that it would be a highly desirable accessory for a camera with such close-focusing abilities. I have a "Macro Speedlight" for my Nikon N90s, which works great. I suppose I'll have to investigate whether this could be adapted to the Sony (I kind of doubt it), although the Nikon Speedlight and its adapter weigh almost as the entire Sony digital!
I suppose in a studio setting, it would be quite easy to set up a number of slave flashes to solve the problem, but I don't usually shoot under such controlled situations. The same applies to the use of a tripod. I thoroughly appreciate the additional sharpness the stability of a tripod can bring to a shot, but I just cannot bring myself to haul one around in the field in addition to all of the other stuff! Besides, most herps I encounter are way down at ground level. The honeysuckle shot, by the way, was at ca. 5X and handheld.
In summary, the Sony is a great little camera. I wouldn't hesitate for a moment in buying one at a good price. At the same time, since I cut my teeth in 35mm, I can forsee the time when I will probably opt for a Nikon DSLR, which would allow me to use a lot of my current Nikon equipment. I always tell my wife that photography is actually cheaper and better than having something like a cocaine habit!
Tom Lott